Vérités de villes
Congestion | pencil and sandblasted glass | 1998
Speed and cars, give us a way to access the world. This thematic led me to develop this series comprised of drawings and digital prints, covered with sandblasted glass except for a narrow band or halo that lets us peer through to view orderly rows of automobiles.
With the gathering of cars in parking lots, I allude to a planned urban landscape where pastoral life has been modernized into a socially and spatially segmented world. The sandblasted glass acts as a metaphor for the “window” as well as the flattening out of urban landscape. It creates an infinite, desolate space on which different readings unfold.
Detail: Congestion | pencil and sandblasted glass | 1998
White Parking | pencil and sandblasted glass | 1998
Detail: White Parking | pencil and sandblasted glass | 1998
Periphrase | ink and gouache on digital photo printed on Somerset Vellum archival paper | 73.6 x 101.6 cm | 2016
Grey Parking | pencil and sandblasted glass | 1998
Detail: Grey Parking | 1998
Left Panel of Monday - 1998
Detail: right Panel - Monday
Monday Installation View | pencil and sandblasted glass | 1998